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ZOO TV - Rhapsody image

L and definitions of "culture of " and " image education currently appear discounted somewhat obsolete, because we are convinced that our perceptual abilities are highly skilled, agile, "educated", "educated" to see the world around us, and therefore do not need no discipline or instruct the train.

We were wrong!

Our visual capacity, now more than ever, are very "uneducated", "rude", not suitable for critical observation of the surroundings, and much more prone to view a charming, very participatory and very experienced.

We stopped to observe: we see only.

Let screens and ultra-thin tubes that propinano the impossible.

We see the glossy magazines of unreal images that surround us, processed, colored, shimmering, but little, very little, relating to the sphere of reality.

Let postcards world while still in the chair.

Let's see, we see and then we'll see, drugged and brought to breathtaking views from a poor cultural image.

And then what do we expect from the "Lady Mary" when they enter the door of our study, we asked the house like that of fiction? ... Nothing. We can not expect anything. We just have to roll up our sleeves, arm ourselves with patience and try to "educate" its "culture of images" to a new visual knowledge, more real ... but not always you can!

Top "White TV , Salvatore Dessì, 2009, digital photo, 30x30cm.

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last-first

L ast: the last day of the year is dedicated to the financial statements.

First: the first day of the year is dedicated to the expectations.

Whatever was on your 2009, so I hope that 2010 is better.

wishes for a different future.

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home sweet home

The home is the most basic unit of living space private. In the theater it is manifested in the life of a person or family.

The house is both function and aesthetics.

function, because it's shelter, shelter, the district compared to outer space, is the third skin after the skin and coat, and is the representation of organizations space activities for a supply of ordinary life.

Aesthetics, because it is configured in the personalities of its inhabitants, it is clear decorative tastes and abilities of its inhabitants, status and power are expressed, we describe a microcosm private outside and ready to open its vanity.

The house today is a dream most hunted man ... "I do home "..." I want a nice house " ... these are the occurrences that are heard in around.

The architects often given the task to realize this dream. To us, it is placed in the hands of people's lives with all their desires, with all their expectations, hoping to be able to give a domestic space really "beautiful".

The responsibility for this type of activity is really great. That's why I think the only real chance we have to ensure an excellent result is listening. Listening to customers and set aside the supreme ego that often surrounds us, is the real key to keeping alive, and then turn into reality, one of the few real big dreams now grown men.

Top left "home sweet home , Salvatore Dessì, 1997, wood and concrete, 150x50cm.

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GALLO & THE ROOSTERS + GARY LUCAS _press

www.elgallorojorecords.com

GALLO GARY LUCAS & THE ROOSTERS +
"The Exploding Notes Theory
(El Gallo Rojo Records, 2009)
to BLOW UP, October 2009, DISC OF THE MONTH.
of Enrico Bettinelli (vote 8)

Tornano Gallo & The Roosters, the creature more 'wild and free range of the "chicken coop" El Gallo Rojo.
For this second record are choosing a travel companion that seems designed for that purpose, that Gary Lucas from Captain Beefheart to Jeff Buckley has always used the guitar as a weapon of mass creation.
E 'Lucas to bring his quartet in the theory "beefheartiana" of the "note that explodes," that attitude that is' to play every note as if it had no connection with what precedes and what follows,
with consequent explosion. And it 's always Lucas happy to wallow in the muddy mix of the band,
that opposes the torque bass clarinet / trombone (the excellent Achille Succi and Gerhard Gschloessl) to the bass / drums leader Danilo Gallo and drummer Zeno de Rossi. Funeral Band and that 'stop for a drink with Tom Waits on the dusty courtyard of a bar in the suburbs, body knows how to be playful and popular (the beautiful reread Jamaica Farewell ), but also twist and obsessive, like an electrical short circuit in a motel ( Hushpukena ) gang of outlaws affecting poems on the bark of burned trees
(the beautiful tribute to goalkeeper Ivano Bordon signed by de Rossi), material and melancholy ( Laura ) Gallo & The Roosters dance once again with the spirits more 'inspired and if the song - beautiful - that closes the album and' dedicated to Ed Wood is not 'it a coincidence, sharing with the bizarre alienating a director (but made with undoubted talent ) worldview.
The Exploding Notes Theory looks so 'to a small circus tent stitched from the blues, a circus in which more 'unruly animals that trainers are able to change his fur to make themselves elusive. (8)
Enrico Bettinelli _ _ BLOW UP in October 2009

______________________________________________________________________

http://www.romamusica.it/recensionegallo.htm

of Marina Conti

The musical harmony to which our ears are accustomed normally falls apart at the first listen of this CD. It seems suddenly plunged into the maze of primordial chaos more value: grinding sounds while trying to make room for themselves overwhelmingly in total independence from each other.
a contagious madness is the leitmotif running through the entire album: "Gallo & The Roosters + Gary Lucas - The Exploding Notes Theory, and suddenly something comes to mind that looks like the same devastating schizophrenia and violent sound of Don Van Vliet, known to many as Captain Beefheart (in the 60s a spokesman for avant-garde music that broke with profound alienation any melodic, rhythmic and tonal then groped to reassemble them at random, between the free jazz of Ornette Coleman and the abstract paintings of Jackson Pollock). not unexpected after all the reference to Mr. Van Vliet, as the album opens with the quote of his American guitarist Gary Lucas (present here for having played the guitars on all tracks the album) just to Captain and his theory of the notes exploded: "That 's the" Exploding Notes Theory "by Captain Beefheart: the music has to be done as if every note had no relationship to its predecessor and the next. The relationship between notes in music must be comparable to a series of bomb explosions in the air. " Lucas made it part of the band Captain Beef Heart and His Magic Band at the time of the album "Ice Cream For Crow (Virgin, 1982), and it is clear the influence exerted by him in thanks to the unique hard strokes of his guitars and psychedelic western restive, going to add more madness to the already saturated atmosphere brilliant sound. Among the eleven tracks, ten more than the original review of "Jamaica Farewell" Erving written by Lord Burgess and brought to success in the '50s by Harry Belafonte, is curious then the choice of Gallo between the opening credits and closing the album: "Bela Lugosi" and "Ed Wood." A clear homage to the friendship between the director and actor of horror films and SF Wood and actor Bela Lugosi (now famous for playing the movie "Dracula")?

Danilo Gallo (bass player and multi-instrumentalist and creator and producer of the project), gathers around him his "cock" between solo instruments surreal different take tangential to each other but with the same common denominator: sounds like anarchists Loose Cannons ready for the final grand slam .. . In the noisy din of a bully regurgitation was imploded yet to collective liberation.

Swelling In The Morning

L confusion that reigns in contemporary societies requires perhaps a drastic redefinition of cultures human. I am increasingly convinced that the cleaning of the superfluous mind is now more vital than ever. It 's time to minimalism.

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Authors final time

Auditorium S. Freedom clear c.so 300

10 hours Daniele Statella (Cornelius, Diabolik)
10 hours Mirko Perniola (Zagor, Nathan Never) 10 hours
Sergio Cabella (Mickey Mouse) 11 hours
Sergio Gerasi (Trigger) at 11
Benjamin Del Vecchio (Diabolik)
Paola Camora at 11 (Magazine) 11:30 am
Dario Perucca (Alan Ford) 11.30 hours
Cristiano Spadavecchia (Brendon)
11:30 am Stefano Biglia (Magic Wind)
11:30 am John thalami (Magic Wind)

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Tomorrow, Friday 18, Auditorium Santa Chiara, in Vercelli,
designers will be present at h.11
Biglia Stefano and Giovanni Talami ( Magic Wind), together with
Sergio Gerasi ( StarComics )

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Friday 18 and Saturday 19

schedules meetings with the authors are to be defined
Those confirmed are:

Fri 18 S. Chiara
10 hours Daniel Statella (Cornelius, Diabolik)

10 hours Mirko Perniola (Zagor, Nathan Never)

10 hours Sergio Cabella (Mickey Mouse) 11 hours
Benjamin Del Vecchio (Diabolik)
11 hours Paola Camora (Magazine) at 11
Dario Perucca (Alan Ford)

Due Massimo Bonfatti of unavoidable commitments, could not be present at the show.

Saturday 19 to Italian cinema, the projection of the short "St. Elsewhere" will present a number of authors in addition to already confirmed Paolo Zaniboni (Diabolik) and Daniel Statella (Cornelius, Diabolik). Stay tuned, more news soon.

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Program

Auditorium S. Chiara 18 - 27 September 2009
C.so Libertà 300 Vercelli

- Opening hours 9.18 12

exhibitions, laboratories and workshops

An exhibition is particularly rich in tables original St. Clare.
Show that if last year deepened music and comics, this year will have as common denominator the relationship between comics and film.
The closeness between the two languages \u200b\u200bis not only the use of characters and subjects common to both as evidenced by recent successes at the box office blockbuster Batman, Superman, Fantastic Four, Hulk, Xmen, Spiderman and others. Analyzing the professional methodologies that are the basis of these two narrative codes, we feel its stylistic affinities and the executive who are always more enriching and evolving modes of storytelling to something new and extremely interesting, opening up horizons recently unthinkable.




-THE SHOW ON THE CINEMA AND EDUCATIONAL COMIC
A series of educational panels will address this issue by analyzing various aspects of content, formal and expressive

-Storyboard, when the cartoonist lends itself to cinema.
A gallery of original drawings and storyboards for film Cristiano Spadavecchia, Brendon known designer of Sergio Bonelli Editore, which has created storyboards for major Italian films
-Don Matteo. A TV movie that becomes comic. The original panels
Paola Camora cartoon for the "Newspaper" from the TV movie with Don Matteo Terence Hill
-Dal maestro Mario Monicelli a story that became movies, but comic. Display boards
volume "Long Hair" by the cartoons of Max Bonfatti that result in the manuscript of the great comic director Mario Monicelli that never become movies.
-second cinema
Zaniboni A gallery of original drawings taken from the comic cuts of the film "007 Thunderball" and Charlie Chaplin Charlie Chaplin made by the great maestro Sergio Zaniboni
-cinema comics
A gallery of original drawings of the comic magic Wind (with art by Stefano Biglia), by Leo Pulp (Massimo Bonfatti) by Brendon (Cristiano Spadavecchia tables) and Mickey (Sergio Cabella drawings) with some very cinematic sequences that show how the two languages \u200b\u200bare close relatives. At
Auditorium S. Chiara di Vercelli professional designers will be present to meet the public.

Stefano Biglia (Magic Wind-Sergio Bonelli Editore)
Cristiano Spadavecchia (Brendon - Sergio Bonelli Editore)
Massimo Bonfatti (Cattivik, Leo Pulp-Sergio Bonelli Editore)
Daniel Statella (Cornelius, Diabolik)
Sergio Cabella (Mickey)
Benjamin Del Vecchio (Diabolik)
Paolo Zaniboni (Diabolik)
Paola Camora (Magazine)
Mirko Perniola (Zagor, Nathan Never)
Dario Perucca (Alan Ford) Zaniboni
Sergio (Diabolik)

The meeting with the authors take place outside in the cloister of Santa Chiara.

will be proposed, with the designers of the school teachers, a creative laboratory for students of schools Vercelli on the achievement of a comic book.

Program Friday, September 18 Auditorium S. Chiara

9.30
WORKSHOP HOW REALISTIC IS BORN A CARTOON, AND MANGA DISNEY.
Designers faculty of the School of comic meet students of junior and high


10:30 am MEETING WITH THE SHOW IN THESE DRAWINGS FOR THE PUBLIC SESSION


12.00 am OPENING EXHIBITIONS


12 Hours , 30
DRINK

Access to all Festival screenings and exhibitions will be free.
The day will be more important than the opening, even if the exhibits will be open September 18 to 27
During the week, during the opening hours of the exhibitions, guided tours will be provided for schools that request it. SHOW TIME

S. CLEAR
The time Friday, September 18 (opening day) is continued from 8.30 to 19.00
Then the exhibition will be open to the public at the following times: Monday to Friday from 10 to 12.30
/ 15.30-19 - Saturday and Sunday 10-19


Cinema Italy - Short review in the clouds 2009

Saturday, September 19, 2009 - Cinema Italy - Piazza Paietta - Vercelli

the day Saturday 19, the festival offers the cartoon show's short film competition courts in the clouds for audiovisual works inspired by the comics world. As part of this review will be presented on the original short film "Acuore open" made in Vercelli and based on the comic book by Carlo Lucarelli

for all the info on the day of Corti in the clouds http://cortitralenuvole.blogspot.com/

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THIRD EDITION! Vercelli in the clouds 2009

From 18 to 27 September 2009 will be held between the third edition of the Vercelli nuvole.Il year's theme is Cinema and Fumetto.Affronteremo this theme with an exhibition Teaching with large panels on the subject and original drawings by Italian, a survey on Italian cinema, a short film inspired by the adventures of the comic strip written by Carlo Lucarelli Cornelius and a national competition to create an audiovisual festival dedicated to comics.Il Comics Comics is organized by the School of the University of Vercelli Popular in collaboration with the Department of Youth Comune.La design and art direction of the event by the cartoonist Daniel Statella.I day highlight of the event will be Friday 18 and Saturday 19 with a double date on Friday and Saturday the auditorium at St. Clare St. Clare will Italia.Presso Cinema inaugurated the exhibition and will be held meetings with authors and workshops for schools. Italy at the Cinema there will be a festival of short films dedicated to comic books and the award ceremony. In a few days the program will be online

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minimalism? contemporary fears

C dare me afraid of the contemporary world? Globalization and standardization.

There is someone or something, a tendency, a way to drive human societies, who wants to guide us all towards a single goal: to make us become a single entity. This practice is a Nazi!

The Nazis loved the continuity, creation and mantenimeto in one large purebred. They were afraid of this and other Jews sent to die.

If today's Big Brother (Orwell to put it) wants to bring to speak, to communicate, but also to think (or not think!), In one sense, it is a Nazi. And it is by virtue of the fact that searches for the definition of a "race not thinking," the conveyance of the masses in one great mass, easily controllable and manageable.

So, we are what we are, we live anyway, not getting lost in the maze of homogeneity and uniformity, but still claiming a range of life and expression.

The art should be.

Even the architecture should proceed on this path.

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S and had to use a dictionary to write an architecture of my land, I would certainly that fact by drawing the textures in the landscape my eyes.

plaster

brick

Stone + plaster

stone

color

land

light

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textures! the architect is a social individual

C hiunque Architecture was about to do, knows that it faces a liability if not indifferent. Responsibilities which are essentially socio-cultural, because the architecture is an art of strong social, intellectual, and thus cultural.

A construction that merits the name of Architecture, must show the state's cultural society in which it is inserted, because each work of art (and as such also that of Architecture) reflects the emotions and the knowledge of those who create them, and those who create, is an individual who need is a social individual.

The architect must be an institution capable of decoding what the context requires, and how the demands: it must be able, that is, to instill harmony in creating stylistic responses of needs, semantic content, technological respect .

This is not utopia. And 'only real meticulous, detailed and instinctive of the sublime: in all meaning, and with all your senses!

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? we fell asleep on the comfortable cushions of history

S ono many, many, perhaps infinite, contingencies and procedures that serve to express (and who express) a work of architecture. There is no single project can be cloned an infinite number of times: that is "way".

There are, however, many projects and each one different from the other values, texture and definition.

The multiplicity of the project stems from the heterogeneity of the world, but is mainly influenced by his being placed in a precise moment in cultural history.

The glossy impulsivity and hysterical of genius is the only chance we have to read and understand a context, it will be useful also to write a draft, and this will necessarily be writing poetry, that is dictated, by the poetry of the heart.

The architects have unfortunately fallen asleep on the reasoning of the story.

Art has always moved between two poles: one represented in mythology, Apollo (abstract and brain), on the one hand, and Dionisio (expressionism and heart), on the other. Unfortunately, the constructive art of our time seems more attracted to the first pole, with the result of creating an intellectual who makes arid, dry, but above all, anachronistic.

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wisdom entrepreneurial and cultural

M i like to quote an article published in La Repubblica ", Tuesday, April 28, signed by Paola Jadeluca, which tells the rebirth of a village in Abruzzo , Santo Stefano di Sessanio, which through a clever marketing operation planning and architectural restoration, carried out mainly by private capital, it was possible to give a place vitaliltà now abandoned, making it popular hotel, visited by thousands of tourists every year. A good example of wisdom and business culture from which to learn a lot.

" The village sustainable, earthquake resistant and does business

PAOLA JADELUCA

"It is not only an aesthetic project a pure ethical or philanthropic purposes, is a development model that creates economic returns and return from all points of view. A replicable model that we are now applying to other villages in Abruzzo completely abandoned. " Daniel Kihlger, italosvedese, is the architect of the rebirth of that part of Santo Stefano di Sessanio, the village of Abruzzo considered one of the 100 most beautiful in the world, that has withstood the earthquake of L'Aquila. A miracle is defined. But this is not a miracle. 'It's an example of normal, not excellence, "said Oriano Lelio Di Zio, architect, partner Kihlger which contributed to the restoration of that part of the country is still intact, rebuilt with old materials and modern skills, and wooden flooring respect of the building. Everything else has sold, including the Medici Tower (pictured), restored in the 6070 to shots of cement.
Kihlgren Daniele Elow, 40, is a real estate trend. Instead of constructing townhouses, buy the abandoned villages, restoring them restored architecture and original furnishings and transforms them into popular hotels. And it makes us money. The first village was re-launched its Santo Stefano di Sessanio in 1250 meters high, under the Gran Sasso. We arrived about ten years ago from Milan, where he was born and has always lived. He found wandering on a motorcycle. And here he stopped. There were no hotels, the houses were ruined, there were still 70 against the 3000 inhabitants of the past. In five years a revolution: the listing of the ruins has increased 20 times, is no longer a free apartment. Those who remained have bought them British, Belgian and French. Have arisen over a dozen bed and breakfasts, against the only existing. The tourists, including foreigners, arriving well in winter, the attendance was sketched in the year 7300. The occupation has begun to grow, and the whole country has been restarted. With his company, Sextantio, and support to the architectural firm ZioDi Di Clemente, a local architect, has acquired buildings 3,500 square meters , all for the hotel spread. The village is returned as it once was. But the internet and wifi connections invisible coexist with the old structures. Under the protective wing of
Symbola Foundation, led by Hermes Realacci and Fabio Renzi, which promotes the development of so-called soft economy, Sextantio is an emblem of Italian quality Fair, the event promoted by Symbol with Fiera Milano, which is takes 7 to 10 May: a group photo of the business excellence of Made in Italy. Annual event that aims to spread a statement that expresses the unique values.
Put together, all these really perform nearly half of GDP. 44.3% of gross domestic product is PIQ, domestic product quality. Half of the wealth of our country, you have products and services of value and high profile. Is not an evaluation of-thumb, the projection of ideal parameters that measure intangible assets. The PIQ is a new indicator developed for two years now its a Symbol: a tool of scientific measurement, by evaluating el'incrocio of several variables, such as innovation, research, creativity and knowledge of local, all hallmarks of soft economy, so-called economy slightly, based on a series of parameters that modern society considers essential: the environment, the approach ethically compatible, the celebration of local heritage, the enhancement of knowledge and skills of human resources. The real new economy, which can be found under the heading hi-tech companies such as Technogym and wine, as Caprai and Donnafugata, gîtes, those heating and air conditioning. It took years to establish itself as the cornerstones of modern organizations and the environment of the social and intellectual. Now, finally, these values \u200b\u200bonce considered a purely theoretical level, make a basket. A quantitative tool for all purposes, calculated in monetary terms and therefore comparable with the aggregate and sectoral public spending.
"The uniqueness against the series. Even in tourism this is the trump card of "Made in Italy," wrote The Financial Times talking about Kihlger and its economic development model that is based on the principle exactly opposite to the current one: restore the original relationship between the village and the surrounding agricultural landscape. "Development without building," pursues the Times, which devoted a page to its history. The result: a unique asset, not interchangeable, whose value as a monument, acquires incalculable levels over time.
Kihlger has set in motion a business that tourism develops only 850 000 €, 30% of all the activity that the rest is real estate. Now it wants to export its system in six other villages in the Apennines where we see the development potential of this model applied on a large scale. Thinking that he had arrived in Pescara to work on the cement in the grandparents had a share. The cement plant was sold. Now would pay to tear down the concrete buildings that disfigure the landscape. "

www.sextantio.it

www.santostefanodisessanio.it

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! architecture is art philanthropic

L ' architecture today must decide whether to be a mere building or art for men.

The crisis plaguing the art of building is a structural crisis, which stems from a complex disease affecting the city.

will come a day when, if the high rates of multiplication of overpowering cultures continue unstoppable, with the city will die even architecture.

Until a few years ago the individual architectures led to the emergence and development of urban affairs, now, in contemporary societies, is the city to determine the outcome of the architecture.

If the city ceases to exist, it will cease to beat even with the architectural work, architectural work and the whole of civil society.

The awakening of a sense of inner harmony, we all keep within ourselves, and careful observation of human societies, can help to revive our cities, and then architecture, leading to what we can define a new urban ecology project tectonic.